Tag Archives: Massachusetts poets

Come to the meeting!

The North Shore Poets’ Forum meets tomorrow at the Beverly Public Library, 11 a.m. to 1 ish. Melissa Varnavas is presenting a program on imagery, which she will illustrate with Rilke’s poem “Bowl of Roses.”  Come!

BOWL OF ROSES

You saw angry ones fume, saw two boys
clump themselves together into a something
that was pure hate, t in the dirt
actors, piled-up exaggerators
careening horses crashed to the ground
their gazes discarded, baring their teeth
as if the skull peeled itself out through the mouth. 

And now you know how these things are discarded
for here before you stands a full bowl of rose
which is unforgettable and brimming
with ultimate instances of being, of bowing down,
of offering, of being unable to give, of standing there,
almost as a part of us: ultimate for us too.

Noiseless living, opening without end
filling space without taking space from the space
that all the other things in it diminish
almost as if an outline, like something omitted
and pure inwardness with much curious softness
shining into itself right up to the brim
is anything as know to us as this?

And this: that a feeling arises
because petals are being touched by petals?
And this: that one opens itself like a lid,
and beneath lie many more eyelids,
all closed, as if, tenfold asleep, they
must damp down an inner power to see.
And above all this: that through these petals
light has to pass. Slowly they filter out
from a thousand skies the drop of darkness
in whose fiery glow the jumbled bundle
of stamens becomes aroused and rears up.

And look, what activity in the roses:
gestures with angles of deflection so small
no one would notice them, were it not for
infinite space where their rays diverge.

See this white one, so blissfully opened,
standing among its huge spreading petals
Like a Venus upright in her shell,
And look how that blushing one turns,
as if confused, toward the cooler one,
and how the cooler one, impassive, draws back,
and the cold one stands tightly wrapped in itself
among these opened ones, that shed everything.
And what they shed, how it can be
at once light and heavy, a cloak, a burden,
A wing, and a mask, it all depends,
and how they shed it: as before a lover.

Is there anything they can’t be: wasn’t this yellow one
that lies here hollow and open, the rind
of a fruit of which the same yellow,
more intense, more orange-red, was the juice?
And this one, could opening have been too much for it,
since, touched by air, its indescribable pink
has picked up the bitter aftertaste of lilac?

And isn’t this batiste one a dress, with
the chemise still inside it, soft and breath-warm,
both garments flung off together
in morning shade at the bathing pool in the woods?
And this opalescent porcelain,
fragile, a shallow china cup
filled with little lighted butterflies,—
and this, containing nothing but itself.

And aren’t’ they all doing the same: simply containing themselves,
if to contain oneself means: to transform the world outside
and wind and rain and patience of spring
and guilt and restlessness and disguised fat
and darkness of earth at evening
all the way to the errancy, flight, and coming on of clouds,
all the way to the vague influence of the distant stars
into a hand full of inwardness.

Now it lies free of cares in the open roses.

Part of the process

Web administrator’s note: Thanks, Melissa, for this great essay.


By Melissa Varnavas

An MFA teaches you the mechanics of good writing, sure. But just as important are the lessons learned regarding one’s own creative process. In Drawing on the Artist Within (Simon & Schuster, Inc., 1987), author Betty Edwards outlines five essential stages of creativity: “first insight;” “saturation;” “incubation;” “realization” (indicated as the “ah-ha!” moment); and “verification”.

When I sent my application to Pine Manor College’s (PMC) MFA program, I was firmly in the “realization” stage of Edwards’ creativity curve. I’d “incubated” in my professional career, and come to the conclusion that I could begin another career, a career I always wanted, a career as a writer. The idea was like an epiphany. The letter of acceptance from PMC Director Meg Kearney was my verification. A month later, however, I was back at “first insight” learning how much I actually did not know about poetry and the craft of writing.

Those first months were full of self-indulgent sobbing: “What am I doing here?” (I’m a bit of a drama queen.) Until my former professor, poet Ray Gonzales, offered the seemingly simplistic pearl of wisdom—“What do you mean? You’re here to write, aren’t you? So, write.”

Of course I headed off to get my MFA to learn how to write, to become a better poet, to learn (perhaps most importantly) what makes a poem a poem.  And I did learn these things under the tutelage of numerous kind and patient poets, much as I learned over the years from the kind and patient tutelage of the wonderful community of poets we have in the North Shore Poets’ Forum, the Massachusetts State Poetry Society, the Tin Box Poets and so many more.

The quest to become a better poet and discern what makes a poem a poem is still the subject of my creative search.

As I approach the year anniversary of my graduation I continue to answer the skeptical regarding the worth of my degree. “So,” the vaguely interested ask, “what have you done with your degree?”

I have not published a poem, or penned a thrilling essay, or begun a fictional treatise of the ills of believing in an ill-fated world. But I am sure that at any moment one of the 15 or so perfectly-formed poems currently out in the world will find a home. Any minute now my phone is going to ring. Any. Minute. Now.

Okay, so the phone’s not ringing off the hook, and I haven’t become an international success. Still, I am not discouraged. I believe in the creative process. I believe in the craft lessons learned during my graduate work. I believe in the old “ass-in-chair” adage which implies that being a writer means saturating oneself in the continuous process of reading, writing, and living.

That’s not to say I didn’t take some time off after completing my degree. Of course I did. I spent about two months in hibernation. I’d never seen the TV show Lost before then and fell into nearly a month of continuous viewing. And I spent some time simply living.

Come March, I attacked poetry again like a beset warrior (armed with only a broken sword), and sent out poems from my creative thesis. I got back to writing.

In the spring, I returned to my garden after two years to find it overgrown; I opened my eyes to a mess of unfinished house projects. In the summer, I helped my niece plan her wedding. We celebrated my husband’s birthday with a trip to Las Vegas. I spent some more time simply living.

This fall, I re-entered the local literary community, rejoining groups like the Forum, and I recently joined the Thursday Theatre of Words & Music and the Salem Writers Group. I’ve also returned to the collection of notebooks steadily accumulating on my shelves to find some not-so-perfectly formed poems waiting for my attention. I am back to writing, again.

The best part of being on the other side of graduate schooling is that not only do you not have a 40-page paper due at the end of every month but you can have another glass of wine and read another book and write some more and read some more and not worry so much about the end product.

But here I am again. Writing again. Back at the beginning of the process, somewhere between the incubation of a poem(s) and the realization of its completion. After an essay is written or a poem poured out, I lapse into the day-to-day rigors of home and family and work, overwhelmed by the question I had that first month of my schooling: What am I doing here? Why should we bother writing poems?

While I joke about the millions poetry will miraculously procure for me in royalties from my first book, I know that I am simply continuing to do what I have always done, what Ray Gonzales so aptly pointed out that first semester—I am a writer so I’m writing.

So, don’t worry if life gets hectic and you step away from your poems for a bit of life “saturation” before finding poetic “inspiration”; you’ll keep writing too. It’s all part of the process.


Poets’ Forum schedule

Meetings are held at the Beverly Public Library, usually on the third Saturday (see the following schedule for deviations), from 11 a.m. to 1 p.m. Members are asked to bring a little bit of food to share (cookies, cheese, whatever), and after a program, they are also encouraged to bring a poem for gentle critique. It is best to bring copies of the poem(s) so members can write suggestions, praise, etc.

Sept. 18: Poets bring poems by a favorite poet to discuss and share. Gentle critiques of individual poems follow; program set for year.

Oct. 16: David Kristin will present a performance of his poetry. (See earlier blog entry for more information about David.)

Nov. 20: Melissa Varnarvas will present a program on imagery

Dec. 4: Holiday Party. The forum convenes with the full Massachusetts State Poetry Society for a program and  Yankee Swap. The forum awards a $10 prize to the poet who write the “most apt” poem, one that best describes the present he or she brought for the Yankee Swap. Neither the present  nor the poem are signed. All is revealed when the winner is declared.

Jan. 22: Elva Nelson will present a program on the sonnet. In the event of a snow storm, the meeting will be canceled.

Feb. 19:  Claire Keyes will present a program on D.H. Lawrence.

March 19: Melissa Varnarvas will present a program on inspiration. Fresh from her MFA, Melissa is enthusiastic, which is terrific! So, two programs from her this year.

April 16: The annual Poetry Reading, with winners of the annual Naomi Cherkofsky national contest asked to read, followed by open mic. Always a great time, everyone is invited.

May 21: Jeanette Maes, president of the Mass State Society and treasurer of NSPF, will give a program, topic to be determined.

June 18: The NSPF holds an annual outing, usually in Gloucester, during which we enjoy the scenery and one another’s poems. We lunch afterward at a local eatery.

Summer recess … See you in September

A special guest will be joining us

The North Shore Poets’ Forum will be enjoying a special guest at the Oct. 16 meeting, David Kristin, who happened upon the Mass. State meeting in Winthrop last week and really impressed those of us in attendance. He recites excellent poems by heart. He is more of a performer, and he calls his recitations “performance.” He is devoted to poetry. I will let him speak for himself, however, rather than try to imitate his great spirit and talent.

Claire Keyes, who was supposed to do a program on D.H. Lawrence, was unhappy to discover that she had a conflict that week. She might be able to do it later.  Here’s hoping, as she is so wonderfully erudite and conveys her knowledge so well.

In the meantime, be sure to come to the meeting at the Beverly Public Library on Saturday, Oct. 16, 11 a.m. to 1 p.m.

Do you know artists who need affordable housing?

As a friend of mine said, aren’t all artists poor? Of course not, but still, a lot of young ones and many middle-aged to old ones could really use some affordable housing. I will soon be working for a company that is trying to find some struggling artists to rent affordable units to in Lowell, Mass.

The development company Trinity Financial is transforming an old mill in that city and creating 130 units, with preference given to artists. The management company is right now looking for artists to live in these apartments, due to be ready in April. There will be a panel to determine if, indeed, you are an artist, although they will not judge your art as art. Also, one must pass certain income qualifications.

All artists — visual, musical, written word, and everyone working in whatever mediums — are invited to submit applications. If you are interested or know anyone who is, just look  online for lots more information — the big windows, the art display areas, the various sized apartments, and more — at the Appleton Mills project, www.liveappletonmills.com

Forum begins new season

Post by Melissa Varnavas, with much appreciation from web master Cathy.

Isn’t it funny how we seem to organize our lives on two different calendars–one that coincides with the calendar year and another which acknowledges that we simply do not process time or activities the same way in summer? Anyway, when I heard that September 18th was the NSPF’s first meeting of the “year,” I blocked out my calendar to attend.

“No,” I told my husband. “I am not working on the basement project today.”

I’d been in need of a little poetry “refresher” and I wanted to make sure nothing interfered.

One of the things I love best about NSPF meetings is how they leave you feeling energized, motivated to go home and read more, write more. I am always jealous of anything that takes me away from reading or writing after our 11 a.m. to 1 p.m. sojourn into poetic musings.

Everyone has busy lives, and I often need to rush from the meeting to take care of my nephews or accommodate my husband or complete some house project we’ve started. But it’s too hard to pull myself back to the real world after a NSPF event. Frequently, I leave those waiting for me in the “real world” disappointed as I arrive late and disgruntled being pulled from leisurely discussions of CK Williams or Emily Dickinson.

This past weekend a similar story developed.

Cathryn charged the group with bringing a few poems from a favorite author to share. Roberta Hung gave an interesting presentation regarding Emily Dickinson. She cited examples from Dickinson’s work to illustrate the influence of the famous artist’s “real” life on her “creative” one. (I hope that she’ll share her research so Cathy can publish it here. That way those who didn’t get a chance to come to the meeting can read what those in attendance were so lucky hear.) Then Mary Miceli explored a few poems of Mary Oliver’s and Cathryn offered a few from C.K. Williams.

After a little lunch we all sat back down to enjoy the reading of our own members’ draft poems. We were very lucky to have Claire Keyes, Amy Dengler, Marcia Molay, Roberta Hung, Mary Miceli, Elva Nelson,  Gladys Rydstrom, Olga Kronmeyer and Ellie Lataweic, as well as me (Melissa) and Cathryn.

Of course we did start the meeting off with some discussion of business and a tentative schedule was set for the upcoming year that I’m sure Cathy will be talking about soon. (Note from Cathy, aka Cathryn: Claire can’t do the workshop she had planned for October. Any ideas?) And as usual, the meeting tapered off into smaller conversations and milling around cars in the library parking lot. We just can’t get enough talk about poetry, can we?

And although I say I blocked off my day… Sure enough I ended up sweeping out the basement when I got home. Not to worry though. A little bit of NSPF goes a long way toward rejuvenating the poetic soul.

Poets’ Forum Schedule 2010-11

The North Shore Poets’ Forum meets (usually) on the third Saturday of each month at the Beverly Public Library from 11 a.m. to about 2 p.m. There are exceptions, for instance, when the date would interfere with holidays or meetings of the Massachusetts State Poetry Society, of which the forum is now a chapter.

The December meeting is a joint meeting of the two organizations, held at the library on the first Saturday of December.

We’ll let you know if there are changes to the schedule and what our topics will be after our first meeting on Sept. 18. So, this is tentative for now.

The forum, like the MSPS, hopes to encourage members to learn more about the art and craft of poetry by studying well-regarded poets, introducing new forms, and delving into what makes and inspires a poem.

In that spirit, we ask that you please bring a favorite poet’s poems to introduce to the group on Sept. 18, and please think about a topic you might like to explore further and bring to the group during the coming months.

This promises to be a busy meeting, since we have to go over the schedule. But, if we have time, we’ll have gentle critique of member poems, so bring one or two just in case.

North Shore Poets’ Forum Schedule, 2010-11

9/18/2010

Sat. 11:00 AM – 2:00 PM Sohier Room

10/16/2010

Sat 11:00 AM – 2:00 PM Sohier Room

11/20/2010

Sat 11:00 AM – 2:00 PM Fogg Room

12/4/2010

Sat 11:00 AM – 3:00 PM Sohier Room

1/22/2011

Sat 11:00 AM – 2:00 PM Sohier Room

2/19/2011

Sat 11:00 AM – 2:00 PM Sohier Room

3/19/2011

Sat 11:00 AM – 2:00 PM Sohier Room

4/16/2011

Sat 11:00 AM – 2:00 PM Sohier Room

5/21/2011

Sat 11:00 AM- 2:00 PM Sohier Room

6/18/2011

Sat 11:00 AM – 2:00 PM Sohier Room

Rainy days

It feels more like October than August these past few days, which is actually kind of nice. A hint of hurricane is in the air, although the weatherman calls it a nor’easter, a term I loathe. Why can’t they just say northeaster? I don’t remember anyone talking without the “th” in the word until the last few years. Is it really the way people in Maine say it? Or is it midwesterners trying to go native?

Sorry. That’s just a pet peeve.

In any case, the ocean was sublime yesterday. I had walked there when the rain eased into a drizzle. I always feel so lucky  when I take time out to go to the sea, and I start digging into my memory for the words to John Masefield’s wonderful poem, “I must go down to the sea again.” Actually, that’s a bit of a misquote, I discovered. I knew it by heart when required to in grade school, and I always think if I just dig down deep enough it will all come back. It doesn’t. So, I went to Google and found it.

Sea Fever

By John Masefield

I must down to the seas again, to the lonely sea and the sky,

And all I ask is a tall ship and a star to steer her by,

And the wheel’s kick and the wind’s song and the white sail’s shaking,

And a gray mist on the sea’s face, and a gray dawn breaking.

I must down to the seas again, for the call of the running tide

Is a wild call and a clear call that may not be denied;

And all I ask is a windy day with the white clouds flying,

And the flung spray and the blown spume, and the sea-gulls crying.

I must down to the seas again, to the vagrant gypsy life,

To the gull’s way and the whale’s way, where the wind’s like a whetted knife;

And all I ask is a merry yarn from a laughing fellow-rover,

And quiet sleep and a sweet dream when the long trick’s over.

……………………………………………………………………….

Wonderful, isn’t it?

But, my theme this month was supposed to be summer, so here’s another summer poem, too.

Back Yard

by Carl Sandburg (1916)

Shine on, O moon of summer.

Shine to the leaves of grass, catalpa and oak,

All silver under your rain to-night.

An Italian boy is sending songs to you to-night from an accordion.

A Polish boy is out with his best girl; they marry next month;

to-night they are throwing you kisses.

An old man next door is dreaming over a sheen that sits in a

cherry tree in his back yard.

The clocks say I must go—I stay here sitting on the back porch drinking

white thoughts you rain down.

Shine on, O moon,

Shake out more and more silver changes.

—————————————–

So, although I love the rain, here’s hoping the moon light will soon be all that rains, as Sandburg says, through the tent of night.

Summer thoughts

Instead of boring you with my own silly little thoughts about the glorious summer, I’ve decided to post poems by famous poets. Here’s one by Amy Lowell, for your reading pleasure. Stay tuned. I’ll have a different poem tomorrow. (Well, I really shouldn’t make promises, particularly in the lazy, hazy, crazy days of summer… why, I think that could make a very nice song lyric. Oops,I’m dating myself.)

Summer

by Amy Lowell

Some men there are who find in nature all

Their inspiration, hers the sympathy

Which spurs them on to any great endeavor,

To them the fields and woods are closest friends,

And they hold dear communion with the hills;

The voice of waters soothes them with its fall,

And the great winds bring healing in their sound.

To them a city is a prison house

Where pent up human forces labour and strive,

Where beauty dwells not, driven forth by man;

But where in winter they must live until

Summer gives back the spaces of the hills.

To me it is not so. I love the earth

And all the gifts of her so lavish hand:

Sunshine and flowers, rivers and rushing winds,

Thick branches swaying in a winter storm,

And moonlight playing in a boat’s wide wake;

But more than these, and much, ah, how much more,

I love the very human heart of man.

Above me spreads the hot, blue mid-day sky,

Far down the hillside lies the sleeping lake

Lazily reflecting back the sun,

And scarcely ruffled by the little breeze

Which wanders idly through the nodding ferns.

The blue crest of the distant mountain, tops

The green crest of the hill on which I sit;

And it is summer, glorious, deep-toned summer,

The very crown of nature’s changing year

When all her surging life is at its full.

To me alone it is a time of pause,

A void and silent space between two worlds,

When inspiration lags, and feeling sleeps,

Gathering strength for efforts yet to come.

For life alone is creator of life,

And closest contact with the human world

Is like a lantern shining in the night

To light me to a knowledge of myself.

I love the vivid life of winter months

In constant intercourse with human minds,

When every new experience is gain

And on all sides we feel the great world’s heart;

The pulse and throb of life which makes us men!

Summer outing included great food

Someone has said that poets love food, and that was proved true on Saturday when the Mass State Poetry Society met under the trees at the Saugus Iron Works for the annual summer outing. Of course, the poetry was wonderful, as usual. And, I heard the program was terrific. Unfortunately, I arrived too late for that.
But, I arrived just in time for the great food. I love other people’s salads, of which there were a number, from green to various pasta types. Somehow, other people’s salads always taste divine, while mine bore me. And, there were tasty seafood rolls, too, and then dessert, so yummy. Those chocolate brownies that Mary Ellen Letarte baked were my favorites, since I’m a chocolate nut, while she loved someone else’s cookies. She’s probably used to her own goodies.
Anyway, Susan Namet shared a recipe for Broccoli Oriental Cole Slaw, which isn’t hers but which she got from someone else so many years ago she can’t remember.

1 ( 1lb) package broccoli slaw mix

2 packages Ramen Oriental Noodle soup (chicken) uncooked

1 cup toasted slivered almonds

1 cup sunflower seeds (I didn’t use these)

1 bunch scallions, chopped

1 large red pepper, chopped

1 cup cranraisins

Dressing

Mix in blender

3/4  cup canola oil

1/3 cup sugar

1/3 cup cider vinegar

1 packet soup seasoning from Ramen soup package

Crush noodles and mix with almonds. Mix slaw ,scallions, and red pepper. About 20 minutes or half hour before serving, mix all together. Everything can be prepared in advance and then assembled

So, here’s hoping this little food for thought engenders a poetic masterpiece.